![]() ![]() This cookie is set by Stripe payment gateway. If this cookie does not exist when HubSpot manages cookies, it is considered a new session. According to their documentation, whenever HubSpot changes the session cookie, this cookie is also set to determine if the visitor has restarted their browser. These cookies ensure basic functionalities and security features of the website, anonymously. ![]() Necessary cookies are absolutely essential for the website to function properly. What discomfort or fear is holding you back from living your story? Why is it sometimes easier to live in a place of comfort-even if it’s not a good place for us to be living? In what areas of life do you need to live more courageously? How can you better embrace “whimsy” in order to live a great story? Sometimes we need to get out of our comfort zone, and find the whimsical side of life to experience the magic in our stories. But it’s there that we see the glorious waterfall, the peaceful meadow, or the beautifully painted sunset. It may be risky to go off-road, to travel on the dirt for a bit. We get to our destination, but never experience anything “whimsical” along the way. Life can be like a long road trip-hum-drum and mediocre if all we do is look at the long black pavement ahead of us. He said it’s that nagging idea that life could be magical it could be special if we were only willing to take a few risks.” I asked him what he meant by whimsy, and he struggled to define it. ![]() But he wanted to answer my question, so he thought about it and said he didn’t think we should be afraid to embrace whimsy. “ I asked Bob what was the key to living such a great story, and Bob seemed uncomfortable with the idea he was anything special. ![]() In order to live good stories, we need to overcome the forces that work to defeat, stifle, and derail us. Miller reminds us that we need to have courage to live our stories. There is a resistance in our world, a dark side that doesn’t want others to see the beautiful things found in the stories that God wants us to live. It doesn’t want us to face our issues, to face our fear and bring something beautiful into the world.” “ There is a force in the world that doesn’t want us to live good stories. Stepping out in faith-even when it’s risky or scary-can be the beginning of the story we were meant to live. Or sometimes we stay in a story that is bad because we long to be a story-even if it’s not a good one. Miller reveals throughout Part Three that the greatest stories are those where the character has to work to make it happen-and sometimes that path has pain and fear along it. We often are more content to live in a place of complacency than one we fear or risk. “ The character has to jump into the story, into the discomfort and the fear, otherwise the story will never happen.” In Part Three of Donald Miller’s book A Million Miles in a Thousand Years, Miller explores the risk, and sometimes the pain, of creating a good story. Looking back, the risk was high, but the change brought our family closer and made our marriage stronger. Or another moment when our family felt led to move to Colorado with no guarantees of work for my husband and a huge career change for myself, with a salary that was far less than what I was used to. We learned during that time that God provides when we trust in Him. Looking back now, we can tell great stories of frugalness and generosity from others. For example, when our second child was born in the middle of graduate school for my husband and no paid maternity leave for myself we were fearful of how we would make it financially. The person who subbed it in English probably wrote it as "# years of pain" as a tribute to Naruto.I often look back at times that hold some of the greatest memories for me and they happen to also often be times that were jumbled with fear or risk. He enjoys playing kancho with Hikari Sakishima and Shun Sayama and after Manaka awakens, the two enjoy playing with each other.Īlso, in the scene where Akira played the prank in the 15th episode of Nagi no Asakura, he only said "Kancho". It is mentioned that Akira Shiotome (Miuna's brother) loves playing kancho: This technique's full name is "Konohagakure Hiden Secret Taijutsu Technique: One Thousand Years of Death" (木ノ葉隠れ秘伝体術奥義・千年殺し, Konohagakure Hiden Taijutsu Ōgi: Sennen Goroshi, Viz: Konohagakure's Most Secret and Sacred Technique: One Thousand Years of Death, English TV: Hidden Leaf Village Secret Finger Jutsu: One Thousand Years of Death, UK DVD: Secret Ninja Technique of the Hidden Leaf School, Death for 1000 Years, English Games "Sacred Taijutsu: 1000 Years of Death"). The word is a slang adoption of the Japanese word for enema (浣腸 kanchō). Kanchō (カンチョー) is a Japanese prank performed by clasping the hands together in the shape of an imaginary gun and attempting to poke an unsuspecting victim's anus, often while exclaiming "Kan-CHO!". It is actually a Japanese prank known as kancho. ![]()
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